Changes in the musical landscape allows larger audience for performers
Brian Hick’s interesting review of productions of Purcell’s Dido & Aeneas (20 Nov) shows just how much the music scene is changing.
Audiences now can be international and we are losing the thrill of physically being in an auditorium.
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Hide AdEarly in lockdown the harpist Fiona Hosford, who lives and usually performs locally, gave an online performance.
I alerted lots of people by email.
Afterwards I received grateful messages from a friend in Oklahoma and a cousin in Brisbane who loved hearing Fiona (I don’t know how they coped with the time differences).
Getting payment to the artists is still a problem although even here methods are being worked out.